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The Lana Del Rey Experience: A Journey Through Time and Emotion at Coachella 2024

Lana Del Rey’s Headlining Performance at Coachella: A Puzzle of Complexity and Variety

Lana Del Rey’s Headlining Performance at Coachella: A Puzzle of Complexity and Variety

The inaugural night of Coachella’s main event featured an enigmatic presentation by the renowned artist, highlighted by a surprise appearance from Billie Eilish and the utilization of a holographic projection of herself, among other captivating elements.

On the night of Friday, April 12, at precisely 11:16 p.m., the large screens at the festival’s main stage displayed an aerial perspective of Del Rey and her accompanying group rapidly drawing near. As they approached, it became evident that instead of the customary golf carts often used to transport celebrities at the Indio, Calif. festival, they were riding motorcycles. Accompanied by a snippet of her unreleased track “Jealous Girl,” with the recurring line “Baby, I’m a gangster too,” playing in the background, Del Rey’s procession made a circuit through the crowd while she acknowledged her thousands of fans with smiles and waves, embodying the essence of the moment.

Addressing the audience casually, she greeted, “What’s up, Coachella,” as she arrived at center stage, offering a brief yet genuine smile before launching into “Without You,” segueing seamlessly into a blend of Sublime’s “Doin’ Time” with “Summertime Sadness.” “I’m so happy to be here,” she added, her smile fleeting yet sincere. However, this is Lana Del Rey we’re talking about – the queen of melancholic pop and staunchly devoted to her persona, whether headlining Coachella or not.

Indeed, her demeanor mirrored the elaborate stage setup, reminiscent of a deteriorating iteration of the Gatsby Mansion long after its grandeur had faded. This served as the perfect backdrop for Del Rey’s late-night gathering, complete with a swing band and backup dancers inspired by the roaring 20s.

Early on, Del Rey mentioned that she last graced the Coachella stage “exactly 10 years ago to the day” (during which she premiered her single “West Coast”), softly intoning, “We’re still doing it.” Yet, what truly stands out is not just her longevity in the industry, but rather her unwavering commitment to her authentic self over the years – or perhaps, the enduring presence of the Lana Del Rey persona. Across her nine studio albums, Del Rey has evolved into an even more distinct version of herself, taking daring artistic leaps and offering increasingly provocative track titles along the way.

On this night, her headline performance felt like a subdued celebration of her evolution, as Del Rey gracefully traversed the stage, presenting festival-goers with a repertoire of hits that felt like hidden treasures waiting to be unearthed. Even the anticipated “headline antics” were executed with finesse: she performed “Ride” while gracefully spinning within a circular swing adorned with leaves, delivered a haunting a cappella rendition of “The Grants” accompanied by her trio of backing vocalists, and, most notably, performed “Hope Is a Dangerous Thing for a Woman Like Me to Have – but I Have It” via hologram, accompanied by her collaborator and confidant Jack Antonoff on piano, who co-produced the track. (Earlier in the evening, she was joined by Jon Batiste on piano for an extended rendition of “Candy Necklace.”)

Though somewhat eerie, the holographic projection served as a poignant conclusion to the performance, perfectly encapsulating the essence of the set. As highlighted by her choice to close with “Young and Beautiful” (featured prominently in The Great Gatsby), it became increasingly apparent that Del Rey had a message to convey.

As she crooned on “Young and Beautiful”: “I’ve seen the world, done it all, had my cake now. I’ve seen the world, lit it up as my stage now.” Yet, amidst these grandiose declarations, the song’s central query lingered: “Will you still love me when I’m no longer young and beautiful?”

Earlier in the evening, Billie Eilish provided an emphatic response.

Amidst speculation online that the young star would make a surprise appearance during Del Rey’s set (given her longstanding admiration for the artist), Eilish emerged towards the conclusion, perched atop the arched trellis to perform duets of “Ocean Eyes” and “Video Games” with Del Rey. After their performance, they shared a moment of mutual awe, visibly stunned by each other’s presence. “Get the f–k out of my face,” Eilish joked, addressing her idol.

“Yeah, that’s the voice of your generation, the voice of our generation,” Del Rey responded. “I’m so f—ing grateful she’s standing next to me right now.” To which Eilish quipped, “This is the reason for half you b—-es existence, including mine.”

This simple exchange encapsulated the essence of the evening. Granted, there were moments of inconsistency during the set – intermittent periods of darkness and silence between songs, and occasional issues with microphone volume, all of which Del Rey acknowledged. Moreover, Del Rey’s soft-spoken demeanor, both on and off stage, may not have seemed the most obvious choice for a headlining act to kick off Coachella. However, her influence remains indelible.

But don’t just take my word for it; heed the words of “the voice of our generation.” An artist whose emergence we may not have witnessed had it not been for trailblazers like Lana Del Rey, doing what she does best: being herself.

As the final note of “Young and Beautiful” reverberated through the air, the band picked up momentum, and her dancers reappeared, champagne bottles in hand, as fireworks illuminated the night sky – the epitome of a Gatsby-esque extravaganza. And as Del Rey departed on her motorcycle, the festivities on stage continued long after her departure. And that’s precisely the point.

Her impact is undeniable and unforgettable – the very essence of what makes Lana Del Rey the iconic figure she is. And a figure well deserving of celebration.

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